the texture absorbs and reflects light and due to the metal's essence and its surface treatment it creates a complex play of reflections forming different images depending on the angle of view
the series of works 1.2.3.4.,…. is based on the study of colour phenomenology, resulting in structures based on mathematical formulas. The exploration of colour and surface takes various artistic forms in Alviani's conception
the series of works 1.2.3.4.,…. is based on the study of colour phenomenology, resulting in structures based on mathematical formulas. The exploration of colour and surface takes various artistic forms in Alviani's conception
the series of works 1.2.3.4.,…. is based on the study of colour phenomenology, resulting in structures based on mathematical formulas. The exploration of colour and surface takes various artistic forms in Alviani's conception
the series of works 1.2.3.4.,…. is based on the study of colour phenomenology, resulting in structures based on mathematical formulas. The exploration of colour and surface takes various artistic forms in Alviani's conception
the programming of lines, shapes and chromes and reassembly of structures such as the “pneumatic spaces” that concentrate on units over spaces and mobility. This series includes textiles with kinetic-optical designs, which Germana Marucelli used to create the iconic dresses of the 60s-70s
the programming of lines, shapes and chromes and reassembly of structures such as the “pneumatic spaces” that concentrate on units over spaces and mobility. This series includes textiles with kinetic-optical designs, which Germana Marucelli used to create the iconic dresses of the 60s-70s
the chromostructure of line, geometry and mirroring used to create optical kinetic art through movement and reflection of the surroundings is Alviani's response to the public's inclusion in "environments" in which the observer can personally modify the work, activating it through movement
"monochromatic structures" depending on light and light vibrations and forming optically-dynamic structures
the object stimulates communication between the eye and the brain and makes use of the limits of human perception. The superposition structure requires the interaction of the viewer who, by moving or positioning in space, transforms a static object into a three-dimensional visual experience
Landi's artwork focuses on the phenomenal perception of reality in its simplest structures. Using elementary geometric shapes, it tends to evoke a perceptual stimulation in the viewer.
Komart Gallery was founded in 1998 in Bratislava. Its exhibition programme focuses exclusively on optical, kinetic and geometric abstraction. Since 2001, the Gallery had worked closely with the Milan Dobes Museum in Bratislava. In 2011, the Gallery had opened its flagstore in Berlin. Now the Gallery is open to all who trust in the values of contemporary art also in Prague.
Gallery: Salvátorská 932/6, 110 00 Praha 1
Office: Karolinská 707/7, 186 00 Praha 8
IN: 19232870
Contact: gallery@gallerykomart.cz
